Adam Baer is a writer, editor, and producer of essays, humor, scripts, music/arts criticism, digital media, and magazine journalism. Originally a professional, conservatory trained violinist, Adam began as a music critic and NPR cultural/music producer who quickly began simultaneously writing for the New York Times, New Republic, Slate, and Washington Post. Adam has also written for Harper's, Rolling Stone, The New Yorker, Los Angeles Times, Atlantic, Virginia Quarterly Review, Popular Science, Playboy, The Believer, Gramophone, Bloomberg, GQ, Wired, Travel + Leisure, The Financial Times Weekend Magazine, Men's Health, Men's Journal, and other publications. Adam's essays have been anthologized in books, including Before and After: Stories from New York; Lost and Found: Stories from New York; and A Leaky Tent is a Piece of Paradise. Adam has read and spoken at various venues, including 826LA, where he also has tutored and served on the editorial board for the organization's first book. Adam has guest-lectured at UCLA and UCSD. If you'd like to contact him about his writing, editing, content, speaking, or creative consulting services, this is the way.
Born in New York City and raised in Queens and on Long Island, Adam is a former concert violinist who comes from a family of Juilliard-trained pianists, the odd sculptor, and one sturdy bassoonist. Outside of music performance and teaching, Adam has worked in music for NPR on digital and cultural programming; in that capacity he created, launched, edited, and wrote various new NPR digital media projects, including subjects for "Performance Today," Aaron Copland's centennial, and jazz shows.
Adam has written about a wide variety of subjects including: music history, new ways to notate and share sound, Bob Dylan, books, film, protons, 80's rock stars, 3D-printing robots, Bach, slime mold, Hollywood, hip-hop, sous-vide cooking, Mel Brooks, Jascha Heifetz students, Sardinian food, performance artists, Big Sur yurts, rappers, headphone technology, surfing, Radiohead, sauceless pizza, Lebowski fans, film composers, i-things, postmodernism, list-making, string quartets, bluefish, Robin Williams, oncology, modern architects, Louis C.K., comedy, profanity, psychotherapy, and leasing apartments in Los Angeles (unrelated).
Adam has written columns for Slate on music and pop culture, and for The New Republic. Other journalism gigs include work as a regular music critic for the New York Sun and Los Angeles Times, as well as writing regularly for the weekly New York Times technology section, Sunday T Magazine contributions, and editorial work for The New Yorker. He's written and consulted on editorial for Conde Nast's digital division; covered travel and food for Men's Journal and Town & Country; and reviewed books for the New York Times Book Review, GQ, and the San Francisco Chronicle Book Review, among others. Adam has also written about and interviewed comics and directors for Rolling Stone, GQ, and others.
Thanks to an unusual medical history, Adam has written on medical and health-related subjects for publications like The New York Times opinion section, Harper's, Men's Health, Popular Science, the Awl, and the Los Angeles Times, among others.
Adam has additionally served as a staff correspondent and editorial consultant for Travel + Leisure. He's currently a contributing editor at Inc. Magazine, where he has covered entrepeneurs, apps, startups, technology, and design.
Adam's humor writing has appeared, among other places, in/on McSweeney's, Whim Quarterly, and the Nook/Barnes and Noble Review's "Grin & Tonic." A trained screenwriter, Adam is currently writing and punching up comedic and dramatic scripts for entertainment projects.
Adam was a co-founding editor of The Faster Times, which was sold and now lives as a predictive news startup. Originally, The Faster Times was a new breed of multi-section Internet newspaper/journalist collective, created in 2009 and quickly profiled in the New York Observer and New York Times Magazine.
Adam studied violin and chamber music with members of the Juilliard and American String Quartets as well as with students of Jascha Heifetz and Ivan Galamian at the Manhattan School of Music, Peabody Conservatory, Aspen Music Festival, and Tanglewood. Adam attended Johns Hopkins University and Peabody Conservatory of Music, later attending the MFA writing program at Sarah Lawrence College.